Tag: male

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India Ink Drawing After Henry Fuseli

Copy of Henry Fuseli drawing of Polyphemus Hurling the Rock at Odysseus

This next post is a drawing done in India ink on 9″ x 12″ watercolor paper of Polypemus throwing a rock at Odysseus. I left out Odysseus and the rock that was being thrown. I’m not sure why. I just did. It was copied from a drawing by the Swiss artist Henry Fuseli. His was drawn in pencil with gray, blue and brown washes.

So who was the Swiss artist Henry Fuseli? Well I’ll tell you. Fuseli was born in Zürich, Switzerland in the year 1741. He was shaped in a spiral with a lot of grooves and crevices to catch extra sauce and dressings. He was sturdy enough to be tossed with a thick marinara or meat sauce. Most of the time he could be found in pasta salads. Wait a second, that is Fusilli the pasta shape. I meant to search for Fuseli. These things happen. They happen all the time. Apparently, there are over 600 different shapes of pasta from Angle Hair to Ziti. I think they can stop now. I mean I don’t want to put pasta designers out of work but there has to be more important things they can do like pressure washing the entire country of Italy.

Now, let’s learn about Henry Fuseli whose original name was Johann Heinrich Füssli. Why he would prefer a name without an umlaut to a name that had a umlaut is beyond me. Of course, being called Henry rather then Johann Heinrich would make you seem more amiable. Henry Fuseli, largely influenced by Michelangelo and classical art, was known for drawings and paintings of nude figures in intense and expressive poses. His subjects were usually taken from theater and literature. He would often illustrate scenes from works by Shakespeare. He also wrote reviews and essays on art as well as taught painting at the Royal Academy in London. He taught great artists such as John Constable and was a big influence on William Blake. He died in 1825 at the age of 84.

Click Here to see the original drawing by Henry Fuseli of “Polyphemus Hurling the Rock at Odysseus”

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Graphite Drawing After Annibale Carracci

Pencil drawing of a male torso after Annibale Carracci

Here we have another drawing in pencil copied from a work by the Italian painter Annibale Carracci. I really don’t know much about Mr. Carracci, so let’s find out about him together unless you are an expert on Italian art then I must warn you that you will be extremely disappointed by not only this post but by my entire website. The following has been taken mainly from the Metropolitan Museum of Art Timeline. More specifically called the Heilbrunn Timeline of Art History. The Heilbrunn Foundation funded the art history timeline. The Heilbrunn Foundation was founded by Robert H. Heilbrunn, an investor and philanthropist. Unfortunately, Mr. Heilbrunn died in 2001. His estate still owns the entire history of art. So next time you want to go to a art museum or write a article on art history, stop and think, do I really want to be sued by the Heilbrunn Family?

Carracci and company also were influenced by the bright colors of Titian.

Let’s get back to Annibale Carracci. I’ve decided to get my information from Wikipedia just to play it safe. Carracci was born in 1560 and died in 1609. He was an art teacher and painter who lived in Bologna and Rome. Annibale along with his brother and cousin, who were also artists, created a style of Baroque art that was both dynamic and monumental in a classical sort of way. Their draftsmanship was greatly influenced by Andrea del Sarto and Raphael. Carracci and company also were influenced by the bright colors of Titian. They took effects of natural light created by Northern Italian artists and the composition of artists like Raphael. Annibale Carracci was instrumental in creating a classical style of art that also borrowed heavily on ancient Roman and Green artists. He along with Caravaggio were two of the most influential painters in the 1600s. As a teacher, the artists he taught went on to become the most influential in Roman painting.

If you would like to see the original drawing of a male torso by Annibale Carracci then by all means click here.

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Graphite Drawing Copied from a Work by Taddeo Zuccaro

Nude male figure with upraised arms copied from Taddeo Zuccaro

Next up we have another male nude figure seen from the back. It is a drawing done in graphite pencils on 9″ x 12″ Strathmore paper. The original by Taddeo Zuccaro is about 17 in. x 11 in. and was done in red chalk and highlighted with white gouache (which is somewhat similar to watercolor).

Taddeo Zuccaro was born around the year 1540 in Sant’Angelo in Vado. He moved to Rome to study painting at the age of 14 and at 17 started studying under the master Correggio. He was an excellent draftsman and eventually became famous from his frescoes of historical themes.

This just isn’t your day.

The subject of the original, created in 1550, is a male nude drawn by life but is also somewhat based on the style of the ‘Horse Tamers’ which is a group of Roman sculptures on the Quirinal Hill. The original drawing is done in a naturalistic style but also distorted somewhat in the style of Michelangelo. Not only did Taddeo Zuccaro admire Michelangelo but Michelangelo in turn admired the young Taddeo Zuccaro for his skills as a draftsman. The nude figure study is similar to one he drew in which a soldier is holding the reins of a horse in the foreground of the composition. Both works were done as preparatory work for a fresco that decorated a Roman Palace. According to the description by the Metropolitan Museum in New York, the fresco is now lost. I don’t know how you lose a fresco or a palace. I should do some more research, although it might be more interesting to you and less work for me if I didn’t do anymore research on the frescoes and created some mystery. However, I did find out that the original drawing by Taddeo Zuccaro is in the collection of the Metropolitan but unfortunately is not on view. So you aren’t able to see it. And the other drawing that is similar to that one is in a private collection. So you can’t see that one either. I’m not sure what I did with the copy of it I drew so you can’t see that at the moment either. This just isn’t your day.

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Graphite Drawing After Leonardo da Vinci

Drawing of Male Nude After Leonardo da Vinci

So here we have a drawing done in ‘you guessed it’ graphite pencil. I’m not sure why I have to say ‘graphite’ before pencil. Pretty much all pencils are now made of graphite. There was once a time when pencils were made of lead. There was lead in paint, water pipes and gas. But since lead is toxic it was replaced. I feel sorry for the people that worked in the lead business. They were living the capitalist dream until they found out they not only were constantly exposed to a toxic substance, but they were also out of a job. I wonder if they found them both out on the same day. That would have been very unfortunate.

“I feel sorry for the people that worked in the lead business.”

Let’s get back to the above drawing. It is a copy of a drawing by Leonardo da Vinci. The original is described as ‘nude man standing back to spectator.’ As you can see that pretty much sums up what it is. As I have stated earlier, it was copied from a book on old master drawings. During the pandemic, which is still going on, I set out to copy every drawing in that book. There are 100 figure drawings. I must admit whenever I post one of these pictures I feel a bit strange. When I post a drawing of a nude women I wonder if people will think I’m some kind of pervert and if I post a drawing of a nude man then they might think I’m a gay pervert. I have also been posting these drawings on my Instagram account and I’ve been attracting some men that are, how do I put it, “light in the loafer”. Not that there is anything wrong with that. It’s a strange feeling to receive unwanted attention. This must be how a lot of women feel.

Anyway, let’s get back to the drawing. The original was done in red chalk. It is in the Royal Library located in the Windsor Castle just outside of London.

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India Ink Drawing After Pietro Faccini

Ink drawing after Pietro Faccini

So here we have a drawing done in India ink on watercolor paper. Or if in you’re in Indian, then just ink. I believe India ink was invented in China. So many things were invented in China that we have to pretend like some of them were invented elsewhere. Like gun powder in Germany or Chinese food in America.

Moving forward, the above drawing is copy from one done by Pietro Faccini. He drew his with black chalk on gray paper. The work is in the Teyler Museum located in Haarlem, Netherlands. The Teylers museum includes not just art but it is also a museum of natural history and science. So you might have to wade through a lot of smarty pants stuff to get to the Faccini drawings. I’m sure there is another person writing about the fact that you have to walk by some artsy fartsy nonsense to get to the cool scientific stuff. The Teylers Museum was founded as a contemporary science and art center. There is a oval room in the neoclassical style behind the home of Pieter Teyler van der Hulst that is the historic center of the museum. Pieter Teyler made his money in the cloth business and was a banker as well. His ancestors were from Scotland and he was a follower of the Scottish Enlightenment. Yes, apparently there was a ‘Scottish Enlightenment’. He was also a Mennonite. I didn’t know what a Mennonite is so I had to research it. After my rather short time researching Mennonites, I still have very little idea what a Mennonite is. Apparently they are similar to the Amish but with better fashion sense.

“[Mennonite’s] are similar to the Amish but with better fashion sense.”

I really should mention something about Pietro Faccini. Faccini was influenced by Barocci, Corregio and Carracci. He worked in a very expressive style that bridged the gap between Mannerism and Baroque. He studied art at the Carracci Academy in Bologna, Italy for four years before opening up his own studio. Unfortunately, his career in painting only lasted 10 years before he died in the year of 1602.

Here is a link to the Teyler Museum, Haarlem which houses the original drawing by Pietro Faccini. I couldn’t find the actual drawing on the website but maybe you can.

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Studies of Human and Dog Legs After Leonardo da Vinci

human and dog legs after da vinci

Here we have a drawing copied from a drawing by the man who needs no introduction, Leonardo da Vinci. There has been quite a lot written about da Vinci. So much so that I don’t really need to write more. So I guess I’ll write about myself. It is not easy for me to write about myself. This I believe is due to the fact that during my childhood and adulthood I have been surrounded by people that are always talking. And most of the time they are usually talking about themselves. I know how boring it can be to hear someone talk about themselves. However, this is a blog and since it is my blog I should write something about myself.

“So I guess I’ll write about myself.”

Let’s start as far back as possible. My sister did a DNA ancestry test and she showed it to me. Basically, I am white, I mean really white. I am 99% European and 1% Euro-Asian. I had to look up what Euro-Asian meant. And it means pretty much what it sounds like. It’s a mix of European and Asian. My grandparents on by father’s side were from Holland. My grandparents on my mother’s side were from maybe Germany or some other part of Europe. They all settled in various parts of California. My parents met when my father was studying accounting at San Diego State University. After graduating, he got a job at Disneyland in Anaheim. My brother and sister were born around there. When Disney World was about to open they all moved to Orlando. I was born in 1970. My father was with Disney for about 20 years and worked his way up to Vice President of Finance. At the time I didn’t realize he was such a big wig. Anyway we did get to visit the Magic Kingdom a lot growing up. I always found it interesting the way people look at Disney. Whenever we went, we entered from the back of the park and since my father worked in finance he always talked about the business side of Disney. It really gave me an interesting perspective on Disney. More to follow…

If you would like to see the studies for the Human Legs and the Bones of the Leg in Man and Dog by Leonardo da Vinci at the Royal Library, Windsor Click this link.

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Study for the “Raft of the Medusa” After Théodore Géricault

Graphite Pencil Drawing After Gericault

The drawing above is a copy. Are you starting to catch on that there are a lot of posts of old master copies? That’s because during the covid pandemic, I started to copy all the drawings out of a book of old master drawings in hopes of improving my drawing skills as well as kill a lot of time.

Let’s get back to the drawing at hand. It is a graphite sketch after the great French Romantic painter Théodore Géricault. The original is a study for one of the figures of Géricault’s masterpiece “Raft of the Medusa” which hangs in the Louvre Museum in Paris. The drawing itself is in the Musée des Beaux Arts in Besançon, France.

Let’s talk about the painting “Raft of the Medusa.” It was not a commissioned piece which was unusual for a 19 century work this large (16′ 1″ x 23′ 6″). The painting can be categorized as a history painting but instead of honoring a triumph it captures a tragedy. The subjects of his work are not heroic solders or mythological gods but the victims and survivors of a shipwreck. After their ship ran aground. The survivors cobbled together a raft and in their 2 weeks at sea, eventually had to resort to cannibalism in order to survive. Out of the 147 passengers only 15 survived. The captain was blamed for the shipwreck since he had not even sailed for 20 years prior and was apparently only given the position based on his connection to those in power. Anyone who has worked for a family run company understands the situation. Not of the shipwreck but of nepotism.

“Anyone who has worked for a family run company understands the situation.”

Géricault did a lot of research and made many sketches in order to create his monumental painting. He even consulted with 2 of the survivors, made a scale model of the raft and in order to better capture the look of the dead and dying, he would visit morgues and hospitals.

After a year and a half of work, the painting was shown at the 1819 Paris Salon. It received both praise and criticism. It is now considered a masterpiece of French Romantic art and has influenced many great artists.

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Prismacolor® Pencil Drawing After Tiepolo

Copy of a Tiepolo Drawing

My next offering is a drawing done with black and white Prismacolor brand pencils and sticks on gray toned paper. It is a copy of a drawing done in chalk on blue tinted paper by the Venice master, Giovanni Battista Tiepolo. That drawing, completed in 1751, is in the Staatsgallerie in Stuttgart, Germany. Tiepolo’s drawing is titled “Nude Study: The Back of a Seated Man with a Crown of Reed”. I originally thought the reed crown was his hair. I was planning to make several jokes about the model having a bad hair day or maybe make a dig at Supercuts. So without that material to work from, I’ll have to get somewhat serious, as serious as I can be, about the great Tiepolo. Giovanni Battista Tiepolo, or Giambattista as he was often called was born on March 5, 1696, in Venice, Italy. Not Venice, California.

“I originally thought the reed crown was his hair.”

Speaking of Venice, California, when I was going to college at San Diego State University, I took a road trip to Venice Beach. I wanted to check out a art gallery that was showing the work of perhaps the greatest living British artist, David Hockney. When I entered the gallery Mr. Hockney was standing there looking sophisticated and worldly wearing a tweed jacket. He looked at me and asked me if I had any questions about his work. It was an incredible opportunity. I could have asked him anything. Unfortunately, I froze and said that I just got there and was going to look around. He turned to a gallery employee and sarcastically joked that he was hoping I would buy his work. He was indeed being sarcastic. I was in my early 20s and was dressed like someone in their early 20s. I had on cut off jeans, and a t-shirt. I didn’t exactly look like someone that could afford to buy his work or proper leisure attire. I know I should have dressed nicer. However, in my defense, it was during the day and I didn’t think he would be there.

Now lets get back to Tiepolo, who is considered the greatest Italian Rococo painter. Unfortunately he passed away on March 27, 1770. So I was never able to meet him. If I was alive back then, I would have asked him… well I can’t think of a good question. I’ll have to get back to you.

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Copy of Titian’s “Study for St. Sebastian”

"Study for St. Sebastian" after Titian

Above is a copy of a drawing by Titian titled “Study for St. Sebastian in the high altar of SS. Nazarro e Celso, Brescia”, created around 1519 to 1520, and drawn with brown ink, brown washes, heightened with white on grey-blue laid paper. Titian’s work was done with thick ink lines so I substituted my usual pencils with a gel ink pen along with an of assortment black and gray markers.

Tiziano Vecellio, simply known as Titian, was considered by many to be the greatest painter in Venice, Italy during the 1500s. He was born in Pieve di Cadore, a small town near the Alps, and then moved to Venice at the age of 10. He started his artistic training at the Sebastiano Zuccato workshop. Then went to work with Giovanni Bellini, who at the time was already a well known artist. Titian also worked alongside with Giorgione, who would greatly influence his style. Around 1511, Titian began an independent career in Venice. He went on to create the frescoes in the Scuola del Santo in Padua in what is known as his mature style. He became famous for his religious works as well as his portrait paintings. Titian continued to paint and his work was in high demand all across Europe. Around 1545, Titian traveled to Rome and met Michelangelo who greatly influenced his work. Throughout the rest of Titian’s life, his brushwork became looser and more expressive. Artists ranging from Sir Joshua Reynolds to Jean Auguste Dominique Ingres as well as the French Impressionists were all influenced by the work of Titian.

My former painting instructor, Bob Gross, also an excellent artist, was a big fan of Titian. Bob taught the painting techniques used by Titian and the other old masters. He would often talk about the glazes or thin layers of color that Titian layered on top of each other to create unique color combinations. Bob was an amazing teacher. Unfortunately he passed away earlier this year. Myself along with his other students will always remember his teachings and of course his fondness for Titian.