Tag: old master

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Graphite Drawing After Jean Fouquet

Drawing of an Ecclesiastic copied from Jean Fouquet

This next post is a digital image of a pencil drawing copied from a drawing of an Ecclesiastic by the French artist Jean Fouquet. The original is in the Metropolitan Museum of Art in New York. It was completed around 1461 and done in metalpoint, black chalk on white prepared paper. Metalpoint is a technique that involves using a stylus (a thin metal rod inserted into a holder) to mark a prepared surface. Typically, the preparation includes coating a medium-thickness paper or a wood panel with a textured ground. As the stylus moves across the textured surface, it deposits tiny particles of metal, creating a mark.

Now, you might not know who Jean Fouquet is or even care. I’m not familiar with his work, but I do care, mainly because I’m writing a post about him. Let’s find out by asking the AI “Wunderkind”, Copilot with GPT-4 by Microsoft.

Jean Fouquet (c. 1420–1481) was a preeminent French painter and miniaturist of the 15th century. He excelled in both panel painting and manuscript illumination. Fouquet is considered one of the most important artists bridging the late Gothic and early Renaissance periods. He was the first French artist to travel to Italy and experience the early Italian Renaissance. His work includes portraits, altarpieces, and miniatures for the French court and nobility.

Jean Fouquet’s work stood out in several ways compared to other artists of his time. He was a master of portraiture, capturing the individuality and personality of his subjects in a lifelike and expressive manner. Fouquet emphasized naturalistic details, such as realistic drapery, facial features, and textures, and his attention to anatomical accuracy set him apart. He also experimented with perspective, creating depth and spatial realism in his compositions, which was groundbreaking during the late Gothic period.

Fouquet’s travel to Italy allowed him to absorb early Renaissance techniques, and his fusion of French and Italian styles influenced later artists. His meticulous approach extended to illuminated manuscripts, where he combined intricate borders with vibrant colors and gold leaf. In summary, Jean Fouquet’s unique blend of technical skill, innovation, and cross-cultural influences set him apart from his contemporaries.

1 2.
1 en.wikipedia.org
2 britannica.com

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Graphite Drawing After Peter Paul Rubens

Drawing of Young Woman with Folded Hands in Graphite Pencil

Alright, so it has been a while since I have posted anything. I do have lots of things to post. I have been making things but not posting those things. I think you get the idea. I think it is in part because I feel like no one will ever read this nonsense. But, as a wise man or wise woman or perhaps they were just a regular man, woman, or non-binary person said, “Pretend like your work matters.” So here is another post of a drawing copied from an old master for all of my imaginary friends to see. I’m now writing with the aid of the Grammarly software program, so if the quality of the writing is improved, you can thank Grammarly for that.

The drawing was done in graphite pencil and was copied from a work by Peter Paul Rubens, which was drawn in red chalk, black chalk, and heightened with white. My copy looks a lot sadder than the original in both the quality of the work and the expression of the young woman.

The original drawing by Peter Paul Rubens is currently in storage at the Museum Boijmans Van Beuningen in Rotterdam, Netherlands. If you are like me, my condolences, and you are also wondering who is Boijmans Van Beuningen? Let’s ask Co-Pilot, the Microsoft Bing AI tool for writing stuff.

The name Boijmans Van Beuningen is derived from the two most important collectors: Frans Jacob Otto Boijmans and Daniël George van Beuningen 1. The museum houses a unique collection of paintings, sculptures, and everyday objects. It’s one of the oldest museums in the Netherlands, with a history dating back to 1849 when lawyer Boijmans left his art collection to the city of Rotterdam. In 1958, the museum acquired the Van Beuningen collection, adding to its rich heritage 2. The museum is currently closed for renovation and modernization, but you can explore thousands of artworks from its collection online 3. Additionally, Depot Boijmans Van Beuningen, located next to the museum, is the world’s first publicly accessible art storage facility, where visitors can see over 154,000 objects housed in fourteen storage compartments with different climates4.

1 en.wikipedia.org, 2 artsandculture, 3 boijmans.nl, 4 boijmans.nl

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Graphite Drawing After Raphael

Graphite pencil studies of a kneeling woman

This next post contains a pencil drawing that was copied from a work by the great Raffaello Sanzio da Urbino or if you prefer just plain old Raphael. The original by Raphael was done in black chalk and is in the Ashmolean Museum at the University of Oxford.

You are probably asking yourself, who is Raphael, what is an Ashmolean, where is Oxford and what is black chalk. Look, I don’t have time to answer all your questions. Let’s just talk about the Ashmolean Museum.

The Ashmolean, like most things in England is very old. It was founded in 1683 and is a museum of art and archaeology from Ancient Egypt to the latest and greatest contemporary art. It began when the filthy rich, antiquity studying Elias Ashmole gave his various Knick knacks and doodads to the University or Oxford. It was England’s first public museum. But who is this generous man by the name of Elias Ashmole. Mr. Ashmole was not only a great gift giver but also
politician, officer of arms and amateur alchemist. He loved to study history, law, botany, medicine, stenography, chorography (which has to do with mapping areas that are greater than topography and less that geography), numismatics (which has something to do with money) and believe it or not, astrology. He really seemed to have an insatiable thirst for knowledge or perhaps lack focus. Typical Gemini, am I right?

During the English Civil War which lasted from 1642 to 1651, Elias Ashmole supported the Royalists. The Royalists supported the divine right of the monarch, who at that time was King Charles I, to govern England. Elias Ashmole opposed the Parliamentarians. The Parliamentarians supported, you guessed it, the parliamentary.

The knowledge of Nature is very necessary to human life and health.

Elias Ashmole

Elias Ashmole did not have any kids but he was married three times, which might be his greatest achievement, convincing three women to become Mrs. Ashmole.

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Prismacolor® Pencil Drawing After Giovanni Battista Piazzetta

Copy of a Male Nude by Giovanni Battista Piazzetta in black and white Prismacolor Pencils

This post contains a drawing in Prismacolor® pencils that was copied from a work in chalk by the Italian artist Giovanni Battista Piazzetta. That is some name, isn’t it? I counted twelve syllables. There seem to be a lot of Italian names that are of similar complexity. I feel bad for all the Italian school teachers that had to do a roll call every day. I hope they got paid overtime. I just realized how corny my sense of humor is. I have been in denial for so long. Anyway, I know a lot of you are not familiar with the name Giovanni Battista Piazzetta. I am not either but I will do some research on behalf of both of us.

I have been in denial for so long.

The following information has been taken from the Virtual Uffizi website which refers to itself as the unofficial website of the Uffizi museum in Florence, Italy. Giovanni Battista Piazzetta’s drawings and paintings were noted for their Rocco style, with subtle coloring and rounded forms of religious and genre subjects. His father was a sculptor, and Piazzetta studied woodcarving with him before studying painting with the Venetian Baroque painter, Antonio Molinari. Molinari along with the Bolognese painter, Giuseppe Crespi, and the Emilian artist, Guercino all had a big impact on Piazzetta’s work. Even though Piazzetta did not receive many commissions throughout his career, he also illustrated books with drawings to pay the bills. His illustrated work is reminiscent of Rembrandt’s paintings. In all his works, Piazzetta created complex scenes where the subject was never obvious, and his characters were immersed in more than it seemed. The subjects he created would take on several different meanings. Piazzetta also added melodramatic features and had a reputation for being a darker artist than his Venetian contemporaries. Much of his later years were spent teaching, and although not wealthy, Giovanni Battista Piazzetta was a well-respected artist.

If you would like to see a facsimile of the original which is housed in the National Gallery of Canada, Ottawa then by all means click here.

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Graphite Drawing After Rembrandt

Nude Woman on a Stool After Rembrandt

This next blog post is a drawing of a female nude sitting on a stool copied from a work by Rembrandt. Also known as Rembrandt Harmenszoon van Rijn, Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn Rembrandt Harmensz. van Rijn, Rembrandt Harmensz. van Rhijn Rembrandt Harmensz. van Rhijn, Rembrandt Harmenszoon van Rijn Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn, Rembrandt van Rijn. Thank you to the Art Institute of Chicago for not only housing the drawing we are referring to but for also providing us the variations of his name just in case we didn’t recognize the name Rembrandt. I was totally confused when I saw the drawing was done by someone named Rembrandt. I always called him Haremszoon or simply Harmensz. I think most people make that simple mistake.

I always called him Haremszoon or simply Harmensz.

As I mentioned before, the original drawing is on display at the Art Institute of Chicago. Which if I remember correctly is some kind of art institute that is located in or around the Chicago metropolitan area. Sometimes instead of just regurgitating some information I haphazardly found on the web, I like to express my own knowledge about art and the world around myself and the world around art which would be I would guess the same world. If you have ever been to the Art Institute in Chicago and had the time or inclination to visit the drawing department you might have seen it. At the time of this post however it is not on view so you will have to wait. Sometimes it is out on loan to a major museum in a major city. If you live in a small town like Margate, Florida then it is highly unlikely that you will see this drawing. If fact it is highly unlikely that you will see any major work of art. If you want to see lots of bad copies of old master drawings then just stop by my place.

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Graphite Drawing After Domenichino

Pencil drawing of a Foot after Domenichino

The next drawing on my old master copy marathon is a graphite pencil drawing of a foot. If it does not look like a foot then I have failed unless I wanted to confuse you then I succeeded. If I was trying to confuse you about what the drawing was but you could tell it was a foot then I have failed. My drawing is a copy of a work done in chalk by the 17th century Italian Master Domenico Zampieri or as he was known, Domenichino. Domenichino means little Domenico because, according to my well researched research he was a small guy. Yet he was a giant when it comes to 17th century painting. From the 17th through the 19th centuries, he was considered one of the greatest painters of all time, second only to Raphael. Domenichino studied art in Bologna under Annibale Carracci and became Carracci’s favorite student and assistant.

Domenico Zampieri, I feel strange calling him Domenichino, maybe he didn’t like that nickname. Moving on, Domenico was an excellent draftsman who carefully studied nature as well as ancient sculpture and then idealized his forms making them nearly flawless. He also created idealized landscapes that later influenced the great landscape painters such as Claude Lorrain and Nicolas Poussin. Domenichino was also a talented musician and architect. He was also incredibly well read. He believed art is a type of poetry. Some of his greatest work is at The Church of St. Louis of the French which is a Roman Catholic church in Rome, and also the The Last Communion of Saint Jerome altarpiece which can be found in the Vatican. Later in his life he was bullied by younger and perhaps jealous artists and he is believed to have committed suicide because of it.

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Graphite Pencil Drawing After Peter Paul Rubens

Graphite Drawing after Peter Paul Rubens

My next offering is a copy of drawing done by the Flemish master Peter Paul Rubens sometime between 1617-18. The Victoria and Albert Museum where the drawing is displayed describes his work as a study of a nude man that is in a recumbent position and then trying to raise himself up and that seems to confirm what we see. But wait there’s more. There are also two studies of legs, that are in a kneeling position. The original drawing was done in black chalk with touches of white. I drew my copy with various graphite pencils. Actually just two different pencils, I just don’t remember which ones they were. One was light and the other dark. There are drawing pencil sets with several different types of pencils but I personally find it difficult to keep track of when to use each one so I usually only use two. I hope you had as much fun reading about pencils as I have writing about them. Just in case you can have too much of a good thing, let’s move on.

The original drawing was a study for the painting “Miracles of St. Francis Xavier”, which is a large altarpiece that is on display at the Kunsthistorisches Museum in Vienna. The subject in the drawing is not St. Francis but some ‘regular joe’ that is raising from his grave or perhaps he is being healed from the bubonic plague. Maybe he died of the plague and then St. Francis Xavier brought him back from the dead or he was still alive and want to sit up to see what all the commotion was about. Different websites have different ideas about what is actually going on with that pale fellow. But one thing we do now it that he is a man who is in the presence of St. Francis Xavier and that is something in and of itself.

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Graphite Drawing After Jacopo Pontormo

Graphite drawing after Jacopo Pontormo of female legs

Pictured above is a copy of a study of legs by Jacopo Pontormo. I drew mine in graphite pencil on Strathmore paper while the original by Pontormo was done in red chalk. I had mentioned earlier that I do not care for the scratchiness of chalk and I believed I talked about Jacopo Pontormo. Just in case you didn’t know about Pontormo, he was born in 1494 in Empoli, Italy. He was taught by numerous great painters including Leonardo da Vinci and became an important artist in the Sixteenth century. He help develop the expressive style of Mannerism. His work also became a big influence on the later Baroque style, influencing artists like his own student, Bronzino. Pontormo was also greatly admired by other artists at the time. Michelangelo Buonarroti happen to see a painting that Pontormo had done he said “This young man [age 19] will be such an artist, based on what can be seen, that if he lives and continues on, he will exalt this art to the heavens.” High praise indeed. This quote was taken from the “Lives of the Artists” written by Giorgio Vasari. He goes on to write about Jacopo Pontormo’s character. He states that Pontormo was a quite unique person. He was so afraid of death that he didn’t even want to hear it discussed. Varasi also states that he would run away from having any contact with dead bodies but is that really that unique or different. Perhaps in 16th century Italy people loved to hang around dead bodies. Apparently Pontormo would also avoid crowds and kept to himself. He also put so much thought into his work that some days he would just stand and think without painting anything. However he was able to create anything he put his mind to.

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Graphite Drawing After Michelangelo

Michelangelo Copy of a Man Looking Back

The next old master copy is of a black chalk drawing by Michelangelo Buonarroti. However, there is some doubts about whether it was actually drawn by Michelangelo himself. The drawing is a study for the central part of a fresco of the ‘Battle of Cascina’. Unfortunately, the work was never realized which I guess means it was never started or perhaps it was started and never finished. In the book I copied the drawing, it says it was done in black chalk. The British museum, where it is on display, states that it was done in pen and brown ink, brown and gray wash, and then heightened with white over leadpoint and stylus. It also states that the white is somewhat discolored. So either the book titled “Anatomy Lessons From the Great Masters: 100 Great Figure Drawings” is being overly simplistic or the British museum is being very British. It is really hard to say. Wait a second, I think I found out what the confusion is about. The drawing at the British Museum says the it was an experiment with different mediums that didn’t work out very well. It goes on to say that Michelangelo created other studies of the same subject in black chalk. I know what your thinking. I am writing about the wrong drawing. And you would be correct in your thinking. But in all fairness it does look very similar to the one I copied. Nonetheless, I made my copy with a pencil or to be more exact, a few different types of pencils. Moving on. The fresco was to celebrate the ‘Battle of Cascina’ and was to be displayed on a wall in the Great Council’s Florentine Room of the Palazzo Vecchio. Leonardo da Vinci was suppose to paint another work on the other side of the room to celebrate the ‘Battle of Anghiari’ which was another victory for the Florentine army. Leonardo’s painting was done with an experimental method that failed and was unable to be salvaged. Speaking of salvaged, I am unable to salvage this poorly written blog post.