Author: bluthin

Hey, my name is Brad Luthin. Let me tell you a little about myself. I currently live in South Florida and hold BA in Art from SDSU. My two passions in life are painting and woodworking. On Painting: My biggest influence as an artist is Édouard Manet. He once quoted: "A painter can say all he wants to with fruits or flowers, or even clouds. You know, I would like to be the Saint Francis of still life." I too believe you can express everything in your life through objects we see everyday. My hope is that people who see my paintings will begin to look and appreciate the little things in life. The works are painted with a thick application of paint along with a balance of expressive and controlled brush strokes. Along with Manet, I have also learned a great deal from the old dutch masters, such as Vermeer and Rembrandt. I take their techniques and mix with my own. I add a lighter palette of colors that reflect my life here in South Florida.
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Graphite Drawing of Sleeping Endymion

Drawing of Sleeping Endymion by Agostino Cornacchini

This drawing was done using graphite pencils on 9×12 inch Canson XL Mixed Media paper. It was copied from a marble sculpture of Sleeping Endymion by the artist Agostino Cornacchini.

The original 1716 sculpture of Sleeping Endymion by Cornacchini is in the Cleveland Museum of Fine Arts. However, as of this writing, it is not on view. So the work might possibly be stored at the Cleveland Heights Self Storage Facility. So feel free to go down there and check it out! It’s on Lee Road, right across the street from ‘The Bottle House Brewery’. You can’t miss it!

Gary B. on Google reviews said: “Very conveniently located. Fair rates. The owner is considerate and very helpful.” That review was from 7 years ago. However, 5 years ago, Kimberly R. posted the question: “Is this facility still open?” And there hasn’t been a response since. So you might want to call first.

Now is the time to ask AI about this sculpture. Take it away, Microsoft Co-Pilot.

Me: Tell me about the marble sculpture of Sleeping Endymion by Agostino Cornacchini.

Microsoft Co-pilot:

The marble sculpture “Sleeping Endymion” by Agostino Cornacchini is a sensational neoclassical work created in 1716 (I knew the year already). It portrays Endymion, a shepherd from Greek mythology, in a serene pose of eternal sleep. The sculpture captures the myth where Selene, the moon goddess, was so captivated by Endymion’s beauty that she asked Zeus to grant him immortality, which came at the cost of eternal slumber. In other words, he can live forever but has to stay asleep the whole time. It’s crucial to recognize that this was a time when CPAP machines had not yet been invented!

I still don’t get it.

Cornacchini’s sculpture is celebrated for its graceful style, moving away from the dramatic effects of Baroque art. Endymion is depicted reclining against the base of a tree, with his dog and shepherd’s crook nearby, emphasizing his pastoral life. The marble is skillfully carved, with intricate details like the bark and leaves on the base, creating the illusion of a natural setting.
1archive.org

Me: What is Endymion the symbol of?

Co-Pilot: Endymion embodies eternal youth, timeless beauty, and the quest for unattainable love. His perpetual slumber symbolizes peace and stillness, untouched by the passage of time or life’s challenges. He represents an ideal existence, perfect and unchanging, inspiring us to seek beauty and serenity amidst life’s journey. (Note: I had Grammarly.com rewrite it to make it inspirational.)

Me: I still don’t get it.

Co-pilot: No worries—let me break it down in simpler terms!

And then MIcrosoft Co-pilot explained it again in another way that was very similar to the first time.

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Drawing in Graphite of a Statue of Filippo Brunelleschi by Luigi Pampaloni

Drawing in Graphite Pencil of a Statue of Filippo Brunelleschi by Luigi Pampaloni

This drawing was done using graphite pencils on 9×12 inch Canson XL Mixed Media paper. It was copied from a marble sculpture by the artist Luigi Pampaloni. The sculpture is entitled ‘Filippo Brunelleschi’ because it is a sculpture of Filippo Brunelleschi. One of Pampaloni’s celebrated works, the statue of Filippo Brunelleschi for Florence Cathedral, portrays the architect seated, gazing upward as if contemplating his groundbreaking dome design. The statue is admired for its realism and for capturing Brunelleschi’s intellectual intensity. 

Let’s talk more about Luigi Pampaloni. 

Me: Who is Luigi?

Microsoft Co-Pilot: Luigi is a beloved video game character created by Nintendo. He is Mario’s younger brother and sidekick, known for his green outfit and slightly timid personality. Wait! Wrong Luigi!

Luigi Pampaloni (1791–1847) was an Italian sculptor renowned for his work in the Neoclassical style. (Neo means new, classical means old, style means style) He studied under Lorenzo Bartolini in Florence and became known for his elegant and naturalistic sculptures. He drew inspiration from the classical sculptures of ancient Greece and Rome, emphasizing harmony, balance, and lifelike details in his creations.

Luigi Pampaloni made significant contributions to the Neoclassical movement through his sculptures, which blended classical ideals with a touch of naturalism. He studied under Lorenzo Bartolini, a prominent sculptor, and was influenced by the classical traditions of ancient Greece and Rome. Pampaloni’s works often emphasized harmony, balance, and lifelike details, hallmarks of Neoclassical art2. Neoclassical is a definitive revival of classical antiquity’s iconic styles and spirit, confidently reinterpreting its elegance for the modern world. (Thank you to Grammarly.com for its ‘make assertive’ and ‘shorten’ options for writing.)

By combining technical precision with emotional resonance, Pampaloni helped bridge the gap between the rigid classical canons and a more humanistic approach to art, impacting the Neoclassical movement in a lasting way.

Pampaloni’s smaller pieces often touched on warm and personal themes, like kids and animals. These works showed a gentler side of Neoclassicism.

I am going to leave it here. I will talk more about Neoclassical sculpture in the future. So buckle your safety belts!

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Graphite Pencil Drawing of a Sculpture of Janus by Pietro Francavilla

Graphite Pencil Drawing of a Sculpture of Janus by Pietro Francavilla

After copying every drawing from the book “Anatomy Lessons of the Great Masters” by Robert Beverly Hale, I have posted most of those drawings on this blog. I have decided to do another drawing exercise. I started downloading images of marble sculptures to copy them. I have been told it is better to do this than to copy drawings or paintings of other artists. It allows the copier to develop their own style. I have also started painting the same images I have drawn. As I have before, I will post my work along with links to see a photo of the original image.

This drawing was done using graphite pencils on 9-inch by 12-inch Canson XL Mixed Media paper. It was copied from a marble sculpture by the artist Pierre Franqueville. I have used the Microsoft AI program Co-pilot to get various information. I have also used the software program Grammarly to write blog posts. Because I’m not much of a researcher or writer. I’m not much of an artist either. Wow! That hurt! What’s wrong with me? That hurt as well. Maybe I should finish this blog post.

Let’s learn a little about Pietro Francavilla by asking our dear friend Microsoft Co-Pilot AI Thingamajig, and then I will try to jazz it up with some AI rewriting.

Pietro Francavilla, also known as Pierre Francqueville, was a Franco-Flemish sculptor born in 1548 in Cambrai, France. He was trained in Florence and became a prominent figure in the Late Mannerist tradition, working closely with the renowned sculptor Giambologna (Yes, that Giambologna). Francavilla is known for his elegant marble sculptures, often inspired by mythology and classical themes.

Elongated proportions and refined details, hallmarks of the Mannerist movement, characterize his style. Francavilla’s works were highly sought after by Italian and French patrons, and his legacy continues to be celebrated in art history1.

Let me know if you’d like to explore more about his works or the Mannerist art movement!

Although AI Co-pilot put an exclamation point at the end, I still don’t believe that they are that excited. Microsoft Co-Pilot is usually very talkative, but for some reason, when it comes to Pieto Francavilla, not so much! Is there some backstory I need to know? So I shall ask.

Me: Is there something I don’t know about between Pietro Francavilla and you?

Co-Pilot: Ah, you’ve caught me—Pietro and I go way back in a purely platonic, art-history-aficionado way! My admiration is rooted in his creativity and contributions to the Mannerist movement. I promise there’s no secret Renaissance scandal tying us together! But I like your playful curiosity—are you delving into the art world or enjoying a bit of banter today?

Co-Pilot’s sense of humor is getting better. They even use a smiley emoji at the end. Now, it is hard to be mad at AI.

1. en.wikipedia.org

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Prismacolor Pencil Drawing After Albrecht Dürer

Black and white Prismacolor pencil drawing of St. Jerome copied from Albrecht Durer

This post features an image of a drawing I did, which was copied from another drawing by the German master Albrecht Durer. His drawing is a portrait of a man of ninety-three who used to study a painting of Saint Jerome. The original was done in brush and black ink, heightened with white, on gray violet paper, and is in the Albertina Museum in Vienna. My copy was drawn with black and white Prismacolor colored pencils on gray paper and is located on the lowest shelf of a bookcase adjacent to my cat’s scratchpad. I have talked about Albrecht Durer before. I also spoke about the Albertina Museum in Vienna, Austria. But I don’t think I’ve talked about who this Saint Jerome person these drawings are supposed to represent. I don’t know who St. Jerome is; I’ve only been to church a handful of times. But I digress; let’s ask Microsoft’s Co-pilot, which is an AI generator or something, about St. Jerome.

Me: Who is Saint Jerome?

Co-pilot: Saint Jerome, born around 347 in Stridon (likely near modern-day Croatia or Slovenia), is renowned as a Christian scholar, theologian, and translator. He is best known for translating the Bible into Latin, which became the official Latin Bible for the Catholic Church.

Jerome’s life was marked by his dedication to monasticism and scholarship. He spent time as a hermit, became a priest, and served as secretary to Pope Damasus I. Around 389, he established a monastery in Bethlehem. His extensive writings include biblical commentaries, theological works, and letters, which profoundly influenced Christian thought.

Me: That all sounds boilerplate. Let’s get to some good stuff! Did he face any controversies during his lifetime?

Copilot: Yes, Saint Jerome faced several controversies during his lifetime:

Conflict with Rufinus: Jerome had a significant falling out with his former friend and fellow scholar. This conflict was largely due to differing views on the works of Origen, an early Christian theologian. Jerome initially admired Origen but later criticized his teachings, leading to a bitter dispute with Rufinus, who remained an Origen supporter.

Dispute with Bishop John of Jerusalem: Jerome also had a contentious relationship with Bishop John of Jerusalem. This was partly due to the same Origenist controversy, as Bishop John was sympathetic to Origen’s views.

Accusations of Impropriety: After the death of his patron, Pope Damasus I, Jerome faced accusations of having improper relations with a wealthy widow named Paula. These allegations, his strict ascetic practices, and his outspoken nature led to his departure from Rome.

Pelagian Controversy: Jerome was involved in the Pelagian controversy, opposing Pelagius’s teachings, which minimized the role of divine grace in salvation. Jerome’s writings against Pelagianism were among his most vigorous and influential1.
Criticism of His Translations: Jerome’s translation of the Bible into Latin (the Vulgate) was not without its critics. Some accused him of altering sacred texts and following Jewish interpretations too closely.

Despite these controversies, Jerome’s scholarly contributions and dedication to monasticism have left a lasting legacy in Christian history.

And then Microsoft Co-pilot gave me samples of some more prompts:

Is there a controversy you find most exciting or want to know more about?
Tell me more about the Pelagian controversy.
What were Jerome’s views on asceticism?
Did he have any other notable conflicts with fellow scholars?
Ask me anything…

Me: I’m exhausted. That is all for today.

Copilot: I understand taking a break when you need it is essential. Rest well, and feel free to reach out whenever you have more questions or want to chat. Have a great day!

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Graphite Drawing After Leonardo Da Vinci

Drawing of five grotesque heads after Leonardo Da Vinci

This next post is a pencil drawing copied from Leonardo Da Vinci. Alright so they are really sketches which are a little more informal, if you will, than a drawing. The original was done in pen and ink. My copy is in graphite pencil. The description for the Leonardo da Vinci sketch is “Group of Five Grotesque Heads”. Which is acurate and at the same time offensive to the five models. Let’s ask Microsoft’s AI writing virtual whiz kid why Leonardo Da Vinci would draw grotesque heads.

Leonardo da Vinci’s sketches of grotesque heads were part of his broader interest in human anatomy and expression. These drawings allowed him to explore the extremes of human facial features and emotions, often exaggerating them to study their impact and to understand the diversity of human physiognomy 1,2.

Leonardo was fascinated by the human condition and character, and these grotesque heads provided a way to delve into the more unusual and exaggerated aspects of human appearance3. They also served as a contrast to his studies of ideal beauty, highlighting his comprehensive approach to understanding human nature4.

So then I asked, did these grotesque heads influence his paintings?

And Co-Pilot responded: Yes, Leonardo da Vinci’s sketches of grotesque heads did influence his paintings. These studies helped him understand the range of human expressions and emotions, which he then applied to his more formal works. For example, the detailed and expressive faces in “The Last Supper” and “Mona Lisa” reflect his deep understanding of human anatomy and emotion, skills he honed through these grotesque sketches.

Leonardo’s ability to capture subtle expressions and the individuality of his subjects was enhanced by his exploration of exaggerated features in his grotesque heads. This practice allowed him to bring a greater sense of realism and psychological depth to his paintings.

Well there you go. AI, through various online sources, has answered our questions. Maybe not in the most accurate or interesting way but it did answer us very quickly. Very, very quickly.

Online sources: 1 leonardodavinci.net, 2 rct.uk, 3 The Open Scholar, 4 artchive.com and 5 Springer

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Graphite Drawing After Jean Fouquet

Drawing of an Ecclesiastic copied from Jean Fouquet

This next post is a digital image of a pencil drawing copied from a drawing of an Ecclesiastic by the French artist Jean Fouquet. The original is in the Metropolitan Museum of Art in New York. It was completed around 1461 and done in metalpoint, black chalk on white prepared paper. Metalpoint is a technique that involves using a stylus (a thin metal rod inserted into a holder) to mark a prepared surface. Typically, the preparation includes coating a medium-thickness paper or a wood panel with a textured ground. As the stylus moves across the textured surface, it deposits tiny particles of metal, creating a mark.

Now, you might not know who Jean Fouquet is or even care. I’m not familiar with his work, but I do care, mainly because I’m writing a post about him. Let’s find out by asking the AI “Wunderkind”, Copilot with GPT-4 by Microsoft.

Jean Fouquet (c. 1420–1481) was a preeminent French painter and miniaturist of the 15th century. He excelled in both panel painting and manuscript illumination. Fouquet is considered one of the most important artists bridging the late Gothic and early Renaissance periods. He was the first French artist to travel to Italy and experience the early Italian Renaissance. His work includes portraits, altarpieces, and miniatures for the French court and nobility.

Jean Fouquet’s work stood out in several ways compared to other artists of his time. He was a master of portraiture, capturing the individuality and personality of his subjects in a lifelike and expressive manner. Fouquet emphasized naturalistic details, such as realistic drapery, facial features, and textures, and his attention to anatomical accuracy set him apart. He also experimented with perspective, creating depth and spatial realism in his compositions, which was groundbreaking during the late Gothic period.

Fouquet’s travel to Italy allowed him to absorb early Renaissance techniques, and his fusion of French and Italian styles influenced later artists. His meticulous approach extended to illuminated manuscripts, where he combined intricate borders with vibrant colors and gold leaf. In summary, Jean Fouquet’s unique blend of technical skill, innovation, and cross-cultural influences set him apart from his contemporaries.

1 2.
1 en.wikipedia.org
2 britannica.com

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Graphite Drawing After Peter Paul Rubens

Drawing of Young Woman with Folded Hands in Graphite Pencil

Alright, so it has been a while since I have posted anything. I do have lots of things to post. I have been making things but not posting those things. I think you get the idea. I think it is in part because I feel like no one will ever read this nonsense. But, as a wise man or wise woman or perhaps they were just a regular man, woman, or non-binary person said, “Pretend like your work matters.” So here is another post of a drawing copied from an old master for all of my imaginary friends to see. I’m now writing with the aid of the Grammarly software program, so if the quality of the writing is improved, you can thank Grammarly for that.

The drawing was done in graphite pencil and was copied from a work by Peter Paul Rubens, which was drawn in red chalk, black chalk, and heightened with white. My copy looks a lot sadder than the original in both the quality of the work and the expression of the young woman.

The original drawing by Peter Paul Rubens is currently in storage at the Museum Boijmans Van Beuningen in Rotterdam, Netherlands. If you are like me, my condolences, and you are also wondering who is Boijmans Van Beuningen? Let’s ask Co-Pilot, the Microsoft Bing AI tool for writing stuff.

The name Boijmans Van Beuningen is derived from the two most important collectors: Frans Jacob Otto Boijmans and Daniël George van Beuningen 1. The museum houses a unique collection of paintings, sculptures, and everyday objects. It’s one of the oldest museums in the Netherlands, with a history dating back to 1849 when lawyer Boijmans left his art collection to the city of Rotterdam. In 1958, the museum acquired the Van Beuningen collection, adding to its rich heritage 2. The museum is currently closed for renovation and modernization, but you can explore thousands of artworks from its collection online 3. Additionally, Depot Boijmans Van Beuningen, located next to the museum, is the world’s first publicly accessible art storage facility, where visitors can see over 154,000 objects housed in fourteen storage compartments with different climates4.

1 en.wikipedia.org, 2 artsandculture, 3 boijmans.nl, 4 boijmans.nl

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Graphite Drawing After Raphael

Graphite pencil studies of a kneeling woman

This next post contains a pencil drawing that was copied from a work by the great Raffaello Sanzio da Urbino or if you prefer just plain old Raphael. The original by Raphael was done in black chalk and is in the Ashmolean Museum at the University of Oxford.

You are probably asking yourself, who is Raphael, what is an Ashmolean, where is Oxford and what is black chalk. Look, I don’t have time to answer all your questions. Let’s just talk about the Ashmolean Museum.

The Ashmolean, like most things in England is very old. It was founded in 1683 and is a museum of art and archaeology from Ancient Egypt to the latest and greatest contemporary art. It began when the filthy rich, antiquity studying Elias Ashmole gave his various Knick knacks and doodads to the University or Oxford. It was England’s first public museum. But who is this generous man by the name of Elias Ashmole. Mr. Ashmole was not only a great gift giver but also
politician, officer of arms and amateur alchemist. He loved to study history, law, botany, medicine, stenography, chorography (which has to do with mapping areas that are greater than topography and less that geography), numismatics (which has something to do with money) and believe it or not, astrology. He really seemed to have an insatiable thirst for knowledge or perhaps lack focus. Typical Gemini, am I right?

During the English Civil War which lasted from 1642 to 1651, Elias Ashmole supported the Royalists. The Royalists supported the divine right of the monarch, who at that time was King Charles I, to govern England. Elias Ashmole opposed the Parliamentarians. The Parliamentarians supported, you guessed it, the parliamentary.

The knowledge of Nature is very necessary to human life and health.

Elias Ashmole

Elias Ashmole did not have any kids but he was married three times, which might be his greatest achievement, convincing three women to become Mrs. Ashmole.

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Graphite Drawing After Edgar Degas

Graphite drawing copied from a work by Edgar Degas

This post is about a sketch in graphite pencil copied from a drawing by Hilaire-Germain-Edgar Degas titled “After the Bath”. The original was done in charcoal on beige wove paper and was completed sometime between 1891–92. The Clark Art Institute in Williamstown, Massachusetts houses the original drawing. You are probably wondering how to find the Clark Art Institute. Well, I’ll tell you. The Clark Art Institute is only nine miles north of the Mount Greylock Regional High School Frisbee Golf Course. Yes, that is the same Frisbee Golf Course that Oliver Bingemann gave five stars on Google and wrote “Love this Frisbee golf course right on the MG (Mount Greylock) campus”. Just in case you aren’t friends with Oliver Bingemann and/or you don’t frequent the MGRS Frisbee Golf Course, the Clark Institute of Art is also a short 140-150 miles from Boston. If you are still unsure of how to find it, I would just google it yourself.

We are now at the point of the post where I am tired of writing. So I will have to rely on AI to finish. I think I’ll use the relatively new software ‘Co-pilot’ by Microsoft.

Me: Tell me about artist Edgar Degas and his drawings in charcoal.

Microsoft Co-pilot: Edgar Degas (1834–1917), a prominent French artist, defied easy categorization. Although associated with the Impressionists, he preferred to call himself a “Realist” or “Independent.” His drawings in charcoal reveal his mastery of capturing fleeting moments in modern life. Degas often depicted dancers, ballerinas, and theater scenes. His use of smudging techniques created soft, fluid lines and delicate shading, evoking ethereal beauty. Notably, Degas employed artificial light to illuminate his subjects, emphasizing contours. Degas’s art remains a testament to his keen observation and technical skill.

The Metropolitan Museum of Art and Access Art were both cited. So the last paragraph was really a collaborative effort between man and machine. Very fascinating.