Tag: female

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Graphite Drawing After Jacopo Bertoia

Drawing after Bertoia / Bertora of 2 females

Here we have “studies of two female nudes seen from the back”. It is a copy of a drawing done by Jacopo Bertoia, who was also known as Jacopo Zanguidi or Giacomo Zanguidi or Bertoja. The original was completed sometime around 1565 – 1570 in red chalk and can be found at the National Gallery of Scotland, Edinburgh. If you go to Wikipedia to research Bertoia, you will be sadly disappointed. There is not a whole lot of information on him. In fact, half the page just lists all the names he was called. Bertoia was born in Parma, Italy and studied under Sabatini. The artist Sabatini, not Gabriela Beatriz Sabatini who was professional tennis player from Argentina and not Rafael Sabatini who was an Italian-English writer but the artist Lorenzo Sabbatini, who was also went by the name of Lorenzino da Bologna or Sabatini, Sabattini or Sabadini. All these different names are getting to be a little much. So let’s just move on. Jacopo Bertoia was greatly influenced by another Italian painter by the name of Parmigianino. He worked in the Mannerist style, which differed from the High Renaissance style by having more expressive and exaggerating proportions thereby making the work seem less balanced and harmonious. Parmigianino, whose full name was, wait for it… are you ready… Girolamo Francesco Maria Mazzola.

“But wait, there’s more.”

But wait, there’s more. He was also known as Francesco Mazzola but mostly is known by the name, Parmigianino. He could have shortened the name to ‘Parm’, like waiters shorten “Eggplant Parmesan” to “Eggplant Parm”. There could be reason for all these name mix ups. The artist might have originally wanted others to call them by their full name, however, people ignored such requests and came up with their own variation of the artists name. This is all really just a theory. In other instances, such as in the case of Lorenzo Sabbatini, since was from Bologna was called Lorenzino da Bologna. Which either made him proud to be from Bologna or permanently branded him as an outsider wherever he went. I guess I could go by Bradley Georgio de Orlando, which I must admit sounds pretty cool.

To see Jacopo Bertoia’s drawing “Studies of Two Female Nudes, seen from the Back” click here.

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Drawing Copied from Bronzino, Who Copied it from Bandinelli

Female Nude Pencil Drawing

The above drawing is a copy of a work by the Italian artist Agnolo Bronzino. He is usually known by just Bronzino. Because, how many well known artists have the last name of Bronzino? Maybe 12 or 20. So it is not too confusing just to call him Bronzino. According to my research, the original was done in the 16th century. Which is seems rather vague. Bronzino lived between 1503 – 1572 so saying the drawing was done in the 16th century is a safe bet. Like many Italian Renaissance works, it was done in black chalk. I do not care for the scratchy-ness of chalk, so I did mine in pencil. A regular number 2 pencil and a darker one. Maybe a 4B or 6B. The number is for the darkness of the graphite and the letter “B” means soft. An “H” would signify a hard graphite. So to help you remember: H for Hard and B for… never mind. Bronzino’s drawing is actually a copy of a sculpture done by another 16th century Renaissance artist, Bartolommeo Bandinelli. The sculpture is of Cleopatra.

“I do not care for the scratchy-ness of chalk.”

So let’s sum up what we have covered so far. I copied a Bronzino drawing that was copied from a Bandinelli sculpture. Bartolommeo Bandinelli was a “Florentine Mannerist” and was greatly influenced by Donatello. Bandelli became a much celebrated sculptor until he was overshadowed by Michelangelo. Agnolo Bronzino was influenced by Jacopo da Pontormo, whom I talked about in previous posts. Bronzino and Pontormo also worked together on the decorations for two churches in Florence, Italy. As opposed to the city Florence in Kentucky or the ten other cities in America named Florence. Bronzino borrowed Pontormo’s expressive mannerist style and then created a his own clean linear style. His art was also influenced somewhat by Michelangelo as well as the later works of Raphael.

The drawing I copied of Cleopatra from Bronzino can be found in the Fogg Museum at Harvard University in Cambridge, Massachusetts.

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Graphite Drawing After Piombo

Copy of a Piombo Drawing

The next study is of a female nude by Sebastiano Piombo. The copy you see was done in graphite pencil. The original was done in chalk. I could have used chalk but it can be messy. Someone once told be that I am “afraid to get my hands dirty”. I would have liked to disagree but there is a lot of truth to it. I am not excited by the idea of soiling my precious hands. That reminds be that I should probably disinfect my keyboard. At this point you are wondering if I am telling the truth or kidding. It all depends. If I say something that diminishes your opinion of me then I am definitely joking. Or if you are offended by something I write, then I am without a doubt pulling your leg.

“He was also a student and/or friend of Michelangelo.”

Sebastiano Piombo was primarily a painter who was born in Venice sometime between 1511 and 1527. He died in Rome anywhere from 1531 to 1547. I’m never sure how hard art historians searched to find the exact dates of when Piombo was born and died. I do have a theory. According to the Louvre website, where the original drawing is, Piombo went by several names. Some of the various names were Sebastiano del Piombo, Fra Sebastiano del Piombo, De Lucianis Sebastiano, Del Piombo Sebastiano and Lucianis Sebastiano de. So having to research all those different names would be quite exhausting. This might be it why there isn’t much information on the internet about you know who. It is believed that Piombo was a student of both Bellini and Giorgione. He was also a student and/or friend of Michelangelo. That part of his life would be extremely important to research. Maybe someone could do that. If you find anything interesting about Piombo’s life please let me know. It is getting hard to write about him.

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Prismacolor® Pencil Drawing After Durer

Copy of an Albrecht Dürer Drawing

Alright so this drawing is copied from a work by the German artist Albrecht Dürer. I’m glad I was able to type the umlaut (those two little dots) over the letter ‘u’. The original drawing is titled Lucretia. He also made a painting of Lucretia as well. The story of Lucretia is very depressing and makes men look really bad so I’m going to skip it. The drawing is in the Albertina Museum in Austria. It is a preliminary study for the painting “Suicide of Lucretia” that is in the Alte Pinakothek, Munich. I like to list the locations of the artwork just in case you want to partake in a art history wild goose chase. But I digress, the original drawing, according to the book I’m drawing from, was done in black ink. The Albertina website says it was done in “Pinsel in Schwarz und Grau, grau laviert, mit Deckweiß gehöht, auf grün grundiertem Papier, partiell vorgeritzt oder mit spitzem Werkzeug übertragen (?)” which translated into “Brush in black and gray, washed with gray, heightened with opaque white, on green primed paper, partially pre-scored or transferred with a sharp tool (?)”. The question mark in parenthesis leads me to believe that they might be just as confused as I am. I created my drawing in black and white prismacolor pencils on gray cardstock. Prismacolor makes 150 different colors of pencils. I just used black and white in my drawing. Mainly because the original is in black and white.

“Writing for an algorithm is probably the most uninspiring thing you can do.”

This might be the most boring blog post ever. I read that blog posts should be at least 300 words long for the google search engine algorithm to recognize my website. Writing to a algorithm is probably the most uninspiring thing you can do. I mean I should imagine that I’m actually connecting with a person on some level. Instead I’m trying to convince software programs that I’m important. Yes that’s right I am trying to connect with a machine so that someday I might connect with other people. That thought is sad and somewhat interesting at the same time. Later.